Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Carl Friedrich Lessing
Monastery Courtyard in the Snow

ID: 38783

Carl Friedrich Lessing Monastery Courtyard in the Snow
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Carl Friedrich Lessing Monastery Courtyard in the Snow


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Carl Friedrich Lessing

German Painter, 1808-1880,Painter, great-nephew of GOTTHOLD EPHRAIM LESSING. He studied architecture in Berlin at the Kenigliche Bau-Akademie under Karl Friedrich Schinkel, before transferring to the Kunstakademie, where he became a pupil of Wilhelm Schadow in 1825. The next year Lessing followed Schadow to Desseldorf, where the latter had been appointed Director of the Kunstakademie. Almost to the end of his career Lessing was to follow Schadow's rules for a standard series of procedures in the production of a finished work: compositional sketch, oil study, detailed model study, cartoon and underdrawing for the final painting. Without an official position, Lessing worked at the Desseldorf Akademie until 1858  Related Paintings of Carl Friedrich Lessing :. | Morning of the land-lady | Veduta di piazza del Duomo in Milano | David Roberts,Portico of the Temple of Isis at Philae (mk23) | Portrait of Joseph Ferdinand, kurprince of Bavaria | The Annunciation jhn |
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Vital Jean de Gronckel (1820 - 1890, Belgian)
Elizabeth Lyman Boott Duveneck
1846-1888 Elizabeth Lyman Boott Duveneck Gallery
Ernest Laurent
(June 8, 1859 -- June 25, 1929) was a French painter and printmaker. He was born in Gentilly and died in Bievre. Laurent was a neo-impressionist artist whose main influences were his instructor Ernest Hebert and his friend Georges Seurat. Laurent took second prize in the Prix de Rome in 1889 and in 1890, Laurent arrived in Rome, where Hebert remained Director of the Academie de France. From Rome, he went to Assisi where he underwent a mystical experience. It would profoundly influence his art. The work he returned to Paris from Assisi was noted for its religious themes. Over time, profound religious devotion influenced his artistic motif and religious symbolism and scenery crept into his work. This aspect of his life ran counter to Seurat's materialism and the two parted ways.






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